They share of the mysterious bond between these two aspects of the Children of Ilúvatar (men and elves) in terms that suggest the inevitability of incarnation so that God’s image within embodied creation might be restored and all (or much) that is now bound by death might be restored: Tolkien’s myth is so deep that it contains its own metaphysics, so body and soul here are not exactly what we might think of in our own understandings of these words, but to translate fëa as “soul” and hröa as “body” is the best that we can do here. In this story, Andreth (a wise-woman among humans) shares with Finrod (a wise-man among elves) about a set of ancient and almost entirely lost beliefs among some humans regarding the nature of human embodiment and the indissolubility of body and soul. This brief story describes a connection between this world of time and death and the timeless realm of Eru Ilúvatar which would allow communion to be restored one day between the Children of Ilúvatar and the Ainur-between the embodied world and that of solid light and song. What this theme might have contained is hinted at from within the history of Eä by only one obscure tale that went unpublished in Tolkien’s lifetime: “ Athrabeth Finrod ah Andreth.” First, from outside of time, we are given the account of the third theme in Eru’s music that Melkor found to be sweeter, more beautiful and ultimately unquenchable. There are only two small hints given by Tolkien regarding any possible recovery from this containment of Ilúvatar’s children within a world bound by time, death, and eternal separation. However, this world is almost immediately corrupted following the discordant song of Melkor who is allowed to enter Eä where he seeks domination over it and most especially over the Children of Ilúvatar (the divided households of Elves and Men) who have Eä as their home.
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As Eru Ilúvatar conceived the Ainur from his thought and taught each of them how to make music before the start of time, their singing weaves Eä into being as an embodied world (the cosmos of stars containing Arda as the planet holding Middle Earth). True, we get an even larger story within which our world of death and time fit. Tolkien offers no final escape from death and separation for all of time. However, the real point of the older stories-first written years earlier by a pious young language scholar and further developed after his return from the devastation of the First World War-is that Arwen must say farewell forever to her father and then again to her husband who must leave her to receive death alone. Yes, Aragon leads the armies of elves, dwarves, men (and even a few hobbits) in a desperate bid to distract Sauron himself and to allow Frodo, Sam and Gollum to overthrow him decisively. However, his stories remain tightly encased within a realm of death and separation. Tolkien from every direction-with the descent of eagles, the arrival of friends, the return of wizards, and the fireside meals of hobbits. Light and hope break into the stories of J.R.R. “For if joyful is the fountain that rises in the sun, its springs are in the wells of sorrow unfathomed at the foundations of the Earth.” -J.R.R. I've Gone To Kill - The Beyonder! 02/1986 Lifedeath : from the heart of darkness 10/1985 And the dead shall bury the living! 09/1981 How sharper than a serpent's tooth.! 10/1979 There's something awful on mMuir island 09/1979 "Listen stop me if you've heard it, but this one will kill you!" 07/1979 Merry Christmas, X-Men: the Sentinels have returned 04/1976 Now Strikes - the Super-Adaptoid! 08/1972
The Supreme Sacrifice! - Lo! Now Shall Appear.The Mimic! 04/1971 Beware Computo, commander of the robot hive 09/1968 Lo! Now Shall Appear - The Mimic! 04/1966 Prisoners of the mysterious master mold! 12/1965 The uncanny threat of.unus, the untouchable! 11/1964 Sub-mariner joins the evil mutants! 07/1964
Merci pour votre compréhension et soutien,
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